As the oldest and largest book publisher in the state of Georgia, University of Georgia Press has a long history of publishing significant scholarship, creative and literary works, and books about the state and the region for general readers and currently publishes 70 new books a year.
Award-Winning Highlights
Winner - Pulitzer Prize for Poetry, Columbia University (2024)
Tripas
With Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem’s ear toward a confluence of history, labor, and languages, while also enacting a kind of “telephone” between cultures.
Winner - Award for Excellence in Documenting Georgia's History, Georgia Historical Records Advisory Council (2024)
James Oglethorpe, Father of Georgia
James Oglethorpe, Father of Georgia uncovers how Oglethorpe's philosophical and moral evolution from slave trader to abolitionist was propelled by his intellectual relationships with two formerly enslaved Black men. Oglethorpe's unique “friendships" with Ayuba Suleiman Diallo and Olaudah Equiano, two of eighteenth-century England's most influential Black men, are little-known examples of interracial antislavery activism that breathed life into the formal abolitionist movement. Utilizing more than two decades of meticulous research, fresh historical analysis, and compelling storytelling, Michael L. Thurmond rewrites the prehistory of abolitionism and adds an important new chapter to Georgia's origin story.
Winner - Juror's Choice Award, National Indie Excellence Awards (2025)
The Sky Was Once a Dark Blanket
The Sky Was Once a Dark Blanket traverses the Southwest landscape, exploring intricate relationships between Native peoples and the natural world, land, pop culture, twentieth-century music, and multi-generational representations. Oscillating between musical influences, including the repercussions of ethnomusicology, and the present/past/future, the collection rewrites and rerights what it means to be Indigenous, queer, and even formerly-emo in the twenty-first century.
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